Funny to think you can still buy it now,
a throwback, like shoe polish or the sardine key.
When you lever the lid it opens with a sigh
and you’re face-to-face with history.
By that I mean the unstable pitch black
you’re careful not to spill, like mercury
that doesn’t give any reflection back,
that gets between the cracks of everything
and holds together the sandstone and bricks
of our museums and art galleries;
and though those selfsame buildings stand
hosed clean now of all their gunk and soot,
feel the weight of this tin in your hand,
read its endorsment from one Abram Lyle
‘Out of the strong came forth sweetness’
below the weird logo of bees in swarm
like a halo over the lion carcass.
Breathe its scent, something lost from our streets
like horseshit or coalsmoke; its base note
a building block as biblical as honey,
the last dregs of an empire’s dark sump;
see how a spoonful won’t let go of its past,
what the tin calls back to the mean of its lip
as your pour its content over yourself
and smear it into every orifice.
You’re history now, a captive explorer
staked out for the insects; you’re tarred
and feel its caul harden. The restorer
will tap your details back out of the dark:
close-in work with a toffee hammer.